Birdheadworld

鸟头2007难看，到主页观看

宋涛和guludoo女去了泰国了，在他去泰国之前我们完成了网站的制作等一系列事情但是一件事情是可怕的，在上月某日我们提着承重的器材爬到位于浦东金阳某住宅11楼－‘腰子’工作室的楼顶时，当我们装好polaroid牌055型胶卷，宋涛满腔兴奋，激动。我抖抖霍霍向楼顶边缘爬去的时候，恶梦开始了！！
我们那天一共拍了7张，只有2张有影像，但是没有主体。（主体是我）但是拍出来的两张是我拍的，当我每次到位宋涛操作的时候就没有影像了！我们当时是被迫只好放弃因为天黑了～～～～＃¥＃··¥¥¥％，但是宋涛每次的操作是正确的......
次日我们又以满腔信心再次来到腰子的楼顶，我从容的走到那个惊险的位置再次进行了8次拍摄结果还是只有两张有景无人的照片和一张有人有景但是显影不足的照片～～～我们彻底的被这个现象打倒了，再也没有力气战斗了最后在无数次失败以后我们终于找到了罪魁祸首，是镜头～～～～曾翰的镜头啊～～～！！！
当日鸟头发誓，以后见曾翰就把他吊在楼顶吊危崖！

3030: New Photography in China

This fully illustrated survey of 30 of China's most exciting photographers under 30 reveals an exciting new sense of creativity as well as a glimpse ahead at the country’s future artistic character.

Here for the first time is presented a new generation of young artists, unburdened by ideology and immersed in the economic and social changes that have transformed China over the past 20 years. From internationally exhibiting artists to photo-journalists, video makers and web bloggers, their images reveal a diverse range of styles that reflect the influence not only of tradition and politics, but also foreign media channels and the development of a home-grown pop culture encompassing TV, music, advertising and fashion.

The results of this can be seen in works that range in style from high-gloss futuristic fantasies to low-fi documentary that kicks against convention in its sense of social alienation. In almost all cases it is the city and the changing condition of China’s urban environment that provides the context and much of the inspiration, whether it is Guangzhou in the South, Shanghai in the East or Beijing in the North. It is partly these regional differences and their influence on each other that lends contemporary photography in China its freshness and strength.

A collection of essays by leading scholars and curators from Beijing and Guangzhou introduce the photographers and their work. For students and enthusiasts of contemporary China and photography 3030: New Photography in China is an essential companion and sheds a unique light on an exciting new force in world art.

The Photographers

Birdhead (鸟头): Song Tao (宋涛) b.1979, Ji Weiyu (季炜煜), b.1980
Cai Wei Dong (蔡卫东), b.1978
Cao Fei (曹斐), b.1978
Chen Wei (陈维), b.1980
Chi Peng (遟鵬), b.1981
Guo Hang (郭航), b. 1983
Huang Kui (黄奎), b.1977
Jin Shan (金闪), b.1976
Li Si En (李思恩), b.1980
Liang Yue (梁玥), b.1979
Lin Zhi Peng (223) (林志鹏), b.1979
Liu Bo (刘波), b.1977
Liu Ding (刘鼎), b.1976
Liu Ren (刘韧), b.1980
Liu Yi Qing (Yiki) (刘一青), b.1982
Lu Yanpeng (卢彦鹏), b.1984
Peng & Chen: Peng Yangjun (彭杨军), b.1977 & Chen Jiaojiao (陈皎皎), b.1980
Shen Hao (沈浩), b.1980
Si Wei (Zao早) (司玮), b.1980
Su Han Guang (Alex) (苏焊光), b.1978
Tang Yi (汤艺), b.1982
Wang Yifei (王一飞), b.1984
Xu Cheng (徐程), b.1980
Xu Zi Yu (徐梓峪), b.1979
Yang Chang Hong (杨长虹), b. 1979
Yao Yi Chun (姚亦淳), b.1984
Zhang Jungang (K1973) (张君钢), b.1980
Zhao Yao (赵要), b.1981
Zheng Zhiyuan (郑知渊), b.1977
Wen Ling (Ziboy) (温凌), b.1976

The Authors

Gu Zheng (顾铮) is professor of photography at Fudan University in Shanghai and one of China's leading scholars of contemporary photography. He has written articles for numerous journals and exhibition catalogues in China and was a chief curator and curatorial committee member of the 2005 Guangzhou Photo Biennial.

Ou Ning (欧宁) is an artist, author and champion of contemporary art in China. He has participated in and curated numerous exhibitions, including Get It Louder in 2005 as well as having written extensively in both Chinese and English on China's evolving art scene.

NINJA GAIDEN

 








UNTITLED NOW
127 X 163 CM
2006